Where’s the funk at? Wrongbar, the new church of vintage soul

Thursday, February 4, 2010
Where’s the funk at? Wrongbar, the new church of vintage soul

“No one’s gonna know any of the tunes we do,” says Elvir Kovacevic, the conga drummer for resident cover band The Main Thing. “The stuff we’re playing is very obscure from songs off these rare 45s that just don’t exist anymore. A few DJs in the audience will freak out if they recognize it, but it’s definitely stuff you’ll never hear anywhere else – or maybe ever again.”

Eccentric, yes, but perhaps this is the only way to transport back to the ’60s and ’70s:  Swapping over-played classics with a new-yet-old experience of  Marvin Holmes, Night-Liters, and Stax artists like Black Nasty, those who ate and breathed funk and soul in the underground. Wrongbar’s new monthly Super Soul Sound Funk Review is primed to bring those meaty rare cuts to the west end. (more)

Don’t You Believe The Words of Rich White Men

Friday, January 29, 2010
Don’t You Believe The Words of Rich White Men

Rock Plaza Central’s “(Don’t You Believe the Words of) Handsome Men” has been around since the May release of …at the moment of our most needing, but it took until January for the video to come out… and it couldn’t be more timely. In the wake of Toronto’s weekend protests on the controversial prorogation of Canadian parliament, the video has recast the song as a commentary on the shiftiness of politicians.

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Interview with Career Suicide: Punk is never just a hobby

Friday, January 22, 2010
Interview with Career Suicide: Punk is never just a hobby

When Career Suicide formed ten years ago as an ode to early-’80s American hardcore, no one in the band thought it would last.

Yet it, along with other vets like Cursed (defunct) and Fucked up is now considered a gem of sorts for hardcore punks in Canada and abroad – their now-classic Attempted Suicide LP can be found anywhere in the world, embraced as far away as Japan (thanks to Forward, the “Don Corleone” of their scene), even influencing youngster Slovakians to cover them at their grade school assembly. (more)

High Fidelity Gets the Musical Treatment

Monday, January 18, 2010
High Fidelity Gets the Musical Treatment

Without epic quests, lavish sets or choreographed fight scenes,  High Fidelity doesn’t seem like an obvious choice for a musical theatre adaptation.  In fact, most of the film and the novel it was based on take place within a record store, where instead of taking action, the characters spend most of the story discussing pop culture and compulsively making lists (something we can sympathize with).

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Decay release debut punk LP for free

Friday, January 15, 2010
Decay release debut punk LP for free

Self-defeatist or realists, call them what you will, but Guelph/Waterloo band the Decay is giving away its debut full-length album This Month’s Rent  – with its punchy pop punk and Rancid-esque vocals – for nothing but a suggested donation to Juicebox, available here. (more)

Peers’ Picks of the Year, Part 2

Tuesday, January 12, 2010
Peers’ Picks of the Year, Part 2

Today our Bands to Chase in 2010 series ends with our remaining ‘guest lists’. You can find the first set of lists in Part One. When deciding on Toronto (and area) bands to profile, we solicited advice from promoters, bloggers and everyone else we could think of.  It’s hard to put limits on creative types, so we just asked them which bands had them excited and why, allowing them to get as personal and esoteric as they saw fit. At least a few of our experts decided to take this as a challenge. Read on to find out what we mean.

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Peers’ Picks of the Year (Part 1)

Monday, January 11, 2010
Peers’ Picks of the Year (Part 1)

In our Bands to Chase in 2010 series we picked the 21 Toronto bands likely to make a splash this year, picks with which some of you (gasp) were not in agreement. But we didn’t act alone. To provide the most measured list possible (and maybe to protect our own asses), we based our selections on the advice of bloggers, promoters and all around music junkies. Now it’s time to unveil our sources and perhaps inspire you to adopt one of this city’s troubled garage punks, or even introduce you to a genre you normally wouldn’t check out unless strapped to an auditory-torture device. It’s time to pass the blame. Here we go with Part One: (more)

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